tag:blogger.com,1999:blog-16242631950157488692024-03-18T19:55:01.588-07:00Kiera BoultKiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-1624263195015748869.post-81073634381607660432019-01-04T12:45:00.001-08:002019-01-04T12:45:28.866-08:00#TEAMKIKI<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">.gif, 2:20</span></div>
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<span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;"> #Teamkiki is a collection of .gifs created as documentation of past performances and video works, the initial intention of these pieces were not to be seen as an “art object” but rather proof/documentation. Within my process, questions of performativity, ephemerality and Black subjectivity were raised.</span></div>
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<span style="background-color: transparent; color: black; font-family: Arial; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; white-space: pre;">In looking at the Viral Video, The Meme and .Gif and the problematics of the term ephemerality troubles and complicates the realities of a Black artists presence within the institution and whilst circulating work on net-based platforms. In juxtaposing the ephemerality of performance and reperformance to the Regram the quality of the content begins to deteriorate as does the authorship creating vulnerable work exhibited out of reach of its intended community. The process of going “Viral” can be seen as a form of consensual appropriation, with ever remix, Regram, reshare a quality is lost but what is gained is form of Cultural Capital, therefore when characterising such work as ephemeral the term may be seen as laced with problematics as it opens up possibilities for erasure, thus creating a weight of responsibility when exhibiting such work outside of its context, the use of footnotes is to stabilize the work and its intended audience. To reference is it maintain.</span></div>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-81963121832336180312018-04-04T05:55:00.003-07:002018-04-04T09:55:56.762-07:00Shop The Solidarity Collection <div dir="ltr" style="text-align: left;" trbidi="on">
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-66439897793169599342018-03-22T20:47:00.001-07:002018-03-22T20:48:24.544-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: white; font-family: "SF Optimized", system-ui, -apple-system, system-ui, ".SFNSText-Regular", sans-serif; font-size: 12px; letter-spacing: -0.12px;">Are you trifling? Are you a shady Queen whose reads go unnoticed? Do use self-depreciation to make yourself more relatable? Are you operating within an oppressi</span><span class="text_exposed_show" style="display: inline; font-family: inherit; font-size: 12px; letter-spacing: -0.12px;">ve system which leaves you humorless and ashy?</span></div>
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Ever dream of reading like <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=118731908144833&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/phaedrafans/?fref=mentions" style="cursor: pointer; font-family: inherit; text-decoration-line: none;">Phaedra Parks</a> but being at peace like <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=235984194379&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/KandiBurruss/?fref=mentions" style="cursor: pointer; font-family: inherit; text-decoration-line: none;">Kandi Burruss</a> ?</div>
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IF SO <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/teamkiki?source=feed_text" style="cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit; unicode-bidi: isolate;"><span aria-label="hashtag" class="_58cl _5afz" style="font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">teamkiki</span></span></a> has you covered with this simple 6 step workshop to becoming an effective, ethical and triumphant <a class="_58cn" data-ft="{"tn":"*N","type":104}" href="https://www.facebook.com/hashtag/truthteller?source=feed_text" style="cursor: pointer; font-family: inherit; text-decoration-line: none;"><span class="_5afx" style="direction: ltr; font-family: inherit; unicode-bidi: isolate;"><span aria-label="hashtag" class="_58cl _5afz" style="font-family: inherit; unicode-bidi: isolate;">#</span><span class="_58cm" style="font-family: inherit;">truthteller</span></span></a>. Order Available for Artist Talks, Guest Lectures, Workshop facilitation and all-round tea spilling </div>
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<b>ORDER NOW!!</b></h2>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-55585640113459246342017-12-10T12:11:00.001-08:002017-12-10T12:12:52.464-08:00The Tabooth Presents: Wheel of Misfortune<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg32sL7ADWbVP_4RQOLcu4_z5Qc6xZ_c980AvL6Qbvnz4Ck8FbmkBKqpwQSR_3UVJ6Yxo_k8Irez3iGzS5wx8cnXcSBQjhDSD1QmdBqQfQRgKnFQRvL6X6zBDBjNJx-FC_C8juTFUulSyY/s1600/Tabooth_Wheel_Misfortune.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1344" data-original-width="1600" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg32sL7ADWbVP_4RQOLcu4_z5Qc6xZ_c980AvL6Qbvnz4Ck8FbmkBKqpwQSR_3UVJ6Yxo_k8Irez3iGzS5wx8cnXcSBQjhDSD1QmdBqQfQRgKnFQRvL6X6zBDBjNJx-FC_C8juTFUulSyY/s320/Tabooth_Wheel_Misfortune.png" width="320" /></a></div>
In collaboration with <a href="https://delilahrosier.tumblr.com/">Delilah Rosier</a> and curated by <a href="http://www.andrewmcphail.com/">Andrew Mcphail</a> and <a href="http://www.stephenaltena.com/">Stephan Altena</a> for <a href="http://www.hundreddollargallery.com/artists.html">Hundred Dollar Gallery</a> we transform the Truth Booth into the <i>Tabooth,</i> asking participants to spill the <i>wheel of Misfortune. </i><br />
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<i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDcEIR-LuHSjB2y6n8UmqdpGGVF5Q2glB0V2P4-xsMHMYWNIPM6m4pCDmLgwA-ucaCik49C5P1AueaSC6fQjc-FqgzrwzLsSw3E9Qtl16lgqKCf8AC7Xbr_xF5ZGrX1nj2bc2sQqPRxFM/s1600/Tabooth_2017_06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDcEIR-LuHSjB2y6n8UmqdpGGVF5Q2glB0V2P4-xsMHMYWNIPM6m4pCDmLgwA-ucaCik49C5P1AueaSC6fQjc-FqgzrwzLsSw3E9Qtl16lgqKCf8AC7Xbr_xF5ZGrX1nj2bc2sQqPRxFM/s320/Tabooth_2017_06.jpg" width="240" /></a></i></div>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-803407025410987142017-12-10T09:51:00.000-08:002017-12-10T10:10:41.497-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="box-sizing: border-box; font-family: "verdana" , "geneva";"><span style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">F</span></span><span style="box-sizing: border-box; font-family: "verdana" , "geneva"; font-size: 17.6px;">uture Shock: A Requiem of the Past</span></div>
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<span style="font-family: "verdana" , "geneva";">Curated by Kiera Boult</span></div>
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<span style="font-family: "verdana" , "geneva";"><a href="http://centre3.com/exhibition/future-shock-a-requiem-of-the-past/">Centre[3] for print and media arts main gallery </a></span><br />
<em style="box-sizing: border-box; font-family: verdana, geneva; font-size: 17.6px;">Andrew Butkevicius, Robert Creighton, Ingrid Mayrhofer, Neil Sharpe, Tanja Roglic, Stylo Starr</em><br />
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<tr><td class="tr-caption" style="text-align: center;">Photo by Andrew Butkevicius</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-8tgMFrW9-kWjKq46AEQHy5jNZjd1gOb1HPgU7DH5WCZoI-EahQ4q80ZedxXcPp3fmTv1wsrArHcRkT_4MJMOEIXqhlsWAJtxyUZSB0kZnh2cs7k7qACfpAEYvF0XjB7-43Ku6fyCWo/s1600/sab_Futureshock-6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1001" data-original-width="1500" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-8tgMFrW9-kWjKq46AEQHy5jNZjd1gOb1HPgU7DH5WCZoI-EahQ4q80ZedxXcPp3fmTv1wsrArHcRkT_4MJMOEIXqhlsWAJtxyUZSB0kZnh2cs7k7qACfpAEYvF0XjB7-43Ku6fyCWo/s320/sab_Futureshock-6.jpg" width="320" /></a></td></tr>
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<span style="box-sizing: border-box; font-family: "verdana" , "geneva";"><em style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">F</em></span><em style="box-sizing: border-box; font-family: verdana, geneva; font-size: 17.6px;">uture Shock: A Requiem of the Past</em><span style="font-family: "verdana" , "geneva"; font-size: 17.6px;"> is a group show consisting of Centre[3]’s artist members whose work explores notions of loss and erasure in the process of progress. This exhibition challenges the viewer to consider what is left behind when we move forward? The rise of urbanization erases communities and histories, American author and Futurist Alvin Toffler describes this process as, “[a] continual evolutionary process of evacuations, demolitions, removals, temporarily vacant lots, new installations and repeat. This process is identical in principle to the annual rotation of crops[…].” </span></div>
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<span style="box-sizing: border-box; font-family: "verdana" , "geneva";"><em style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">Future Shock: A Requiem of the Past</em> aims to excavate the past and honour what has been rendered obsolete. Centre[3] is proud to exhibit our members in the Main Gallery showcasing the exceptional caliber of work our members create.</span></div>
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Curated by Kiera Boult<br />
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Centre[3] for Print and Media Arts is proud to present, with the support of Ontario 150 Community Celebration Program, <em style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">ONTARIO INK 150</em>, a public banner project consisting of seven regional and local artists: Alex Jacobs-Blum, Dana Prieto, Roda Medhat, Stylo Starr, Andrew McPhail, Simon Frank, and Ingrid Mayrhofer. <em style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">ONTARIO INK 150</em> will be exhibiting banners along Hamilton’s mountain Concession Street, between Upper Wentworth and Upper Wellington. This project involves the larger Hamilton community with the conversation around Canada and their Canadian experience.</div>
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<em style="-webkit-font-smoothing: antialiased; box-sizing: border-box;">ONTARIO INK 150</em> is a reflection of how we navigate the Canadian experience through multiple perspectives, which have been historically absent in Canada’s dominant narrative. By artists examining notions of Land, isolation, and survivance, Canadian nationhood is re-approached and deconstructed from monolithic Canadian themes of oneness and multiculturalism.</div>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-4954412432399039682017-12-01T18:52:00.002-08:002017-12-01T18:52:40.908-08:007a*md8 - On Line, 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKSBtDo2YNJXX9QxKTasuzhziC-mk5-jjE8gjqUbHqAQDACTZXer7F6fKt_w-tqQkYtGjxYuPSIDHxyZwwiSNekrAosGmvtojExaJQW9nap3h4eyy09gW5sBtu56JDoApKtw-nlJUzMZQ/s1600/giphy+%25286%2529.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="320" data-original-width="480" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKSBtDo2YNJXX9QxKTasuzhziC-mk5-jjE8gjqUbHqAQDACTZXer7F6fKt_w-tqQkYtGjxYuPSIDHxyZwwiSNekrAosGmvtojExaJQW9nap3h4eyy09gW5sBtu56JDoApKtw-nlJUzMZQ/s320/giphy+%25286%2529.gif" width="320" /></a></div>
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"Dear loyal followers, prospective lovers, fuck bois, and family if you want to continue the Kiera experience please follow @7a11d I will only be exclusively posting @7a11d for the rest of the week. Please forward all dms there as well #7amd8socialmedia #7amd8 #7a11d #performanceart #TSVtoronto #teamkiki #imout (at Hamilton, Ontario)"</div>
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<span style="color: #444444; font-family: Helvetica Neue, HelveticaNeue, Arial, sans-serif;"><span style="background-color: white; font-size: 15px;">For the week of </span></span><span style="background-color: white; font-family: Lato, sans-serif; font-size: 16px; letter-spacing: 1px;"> </span><span style="background-color: white; font-family: Lato, sans-serif; font-size: 16px; letter-spacing: 1px;">October 15 – Saturday, October 21, 2017</span><span style="background-color: white; font-size: 15px;">, I was invited by the <a href="http://7a-11d.ca/about/">Toronto Performance Art Collective </a>to take over <a href="https://www.instagram.com/7a11d/">@7a*11d</a> Instagram account. During this week online residency I experimented with common social media tropes such as; the art star, the real housewife and the lifestyle blogger. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTeEBw2Ctt91LocGmv-xlmKEYzdm1f9aeaRyTAn-7GbU2um-bxgqjMS0LhwE3EtE1hROpuPrsIIVCL7vAPkpGNviBruIBVxPl4qFShGnNOH3iZkDolsNFCZqCDkh8WT_TtrOh796DCx5c/s1600/giphy+%25285%2529.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="480" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTeEBw2Ctt91LocGmv-xlmKEYzdm1f9aeaRyTAn-7GbU2um-bxgqjMS0LhwE3EtE1hROpuPrsIIVCL7vAPkpGNviBruIBVxPl4qFShGnNOH3iZkDolsNFCZqCDkh8WT_TtrOh796DCx5c/s320/giphy+%25285%2529.gif" width="320" /></a></div>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-43710819684170281862017-11-29T14:04:00.000-08:002018-03-22T20:54:14.637-07:00A Requiem for Commuters, 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2PFGIO2XltCdwV3pIBw3ZxsqExWOZO4UMm3ggjcfkpYVoCveZW8NV4qsxq7YPVcWFk6v7VIHiWTu5UwWjgCc0rQZS4QMi0dgpuZd3Xq0_nlfcbEyUjzC0nOM_o5xgIijNGvHfxVEmSs/s1600/Agyu_Performance_Bus-Recovered.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2PFGIO2XltCdwV3pIBw3ZxsqExWOZO4UMm3ggjcfkpYVoCveZW8NV4qsxq7YPVcWFk6v7VIHiWTu5UwWjgCc0rQZS4QMi0dgpuZd3Xq0_nlfcbEyUjzC0nOM_o5xgIijNGvHfxVEmSs/s320/Agyu_Performance_Bus-Recovered.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6CtDbszfUpfYAmc2LUpevtq5uFIl3Rr99dpAWDFPzp90ZwWypOT7WJ3jYghCAWZlBgBD59VegwMiwepTU9l_gfGaf1dWv7oaej6fcNSpmoaHLccUAqTnWRIuFHCNg5OG6M1xMfX9pqkc/s1600/presto+%25281%2529.jpg" imageanchor="1" style="display: inline; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6CtDbszfUpfYAmc2LUpevtq5uFIl3Rr99dpAWDFPzp90ZwWypOT7WJ3jYghCAWZlBgBD59VegwMiwepTU9l_gfGaf1dWv7oaej6fcNSpmoaHLccUAqTnWRIuFHCNg5OG6M1xMfX9pqkc/s320/presto+%25281%2529.jpg" width="256" /></a></div>
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<i style="font-family: arial; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">A Requiem for Commuters, </i><span style="font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">2017 was a mega funeral celebrating both The Art Gallery of York Universty's </span><i style="font-family: arial; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Performance Bus </i><span style="font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">and the art collective formal known as Bonerkill. Residing over the funeral is the Greater Toronto-Hamilton Area's leading Holp Pope of Truth Kiera Boult.</span><span style="text-align: center;"> </span></div>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-24913951648363354632017-11-29T13:55:00.001-08:002018-03-22T20:56:41.673-07:00A Testimony of the Unrequited, 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFJ_SU_P6R22vNS2YP0dkkYJrMafC0qyXZhkj_pnVaeM4pAdNoB1lhN8dIxoPQBCqtSTK6iSQs2zHut-Dj1g2Kklv6_RUxulkTWrpw5KuHGSvEAtGsJiT1T4woV9XF7wM1Zse8hZgPnBY/s1600/giphy+%25283%2529.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="480" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFJ_SU_P6R22vNS2YP0dkkYJrMafC0qyXZhkj_pnVaeM4pAdNoB1lhN8dIxoPQBCqtSTK6iSQs2zHut-Dj1g2Kklv6_RUxulkTWrpw5KuHGSvEAtGsJiT1T4woV9XF7wM1Zse8hZgPnBY/s320/giphy+%25283%2529.gif" width="320" /></a></div>
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<span style="font-size: 11pt; vertical-align: baseline;">A Testimony for the Unrequited </span><span style="font-size: 11pt; vertical-align: baseline;">is a multi-channel video installation by Alex Jacobs-Blum and Kiera Boult. The is a collective negotiation of the two artist’s hyphenated identity. It is through the incorporation of the African Diaspora and Six Nations of the Grand River shared knowledge Boult and Jacobs-Blum explore what it means to reconcile the duality of their identities and what exists in between. Exploring the appropriation of Christian iconography as preservation tactics employed by both African Slaves and Six Nations mirrors the experiences of a hyphenated identity. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNmRg_PbPHWN0e-UtoMaU4wqoYJPzpAw95DmcTPsflgDIfpqbTD4m4Cqf9ixqp2see4RxNvmzW_eXncU8Pb-BzT1Sj_-iF_tJEbE2QXAcrMFIojA6ULo0kar145MvDkp_gxQlAgtn_CjU/s1600/Kiera1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="895" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNmRg_PbPHWN0e-UtoMaU4wqoYJPzpAw95DmcTPsflgDIfpqbTD4m4Cqf9ixqp2see4RxNvmzW_eXncU8Pb-BzT1Sj_-iF_tJEbE2QXAcrMFIojA6ULo0kar145MvDkp_gxQlAgtn_CjU/s320/Kiera1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alex Jacobs-Blum, Kiera Boult, <i>A Testimony of the Unrequited,</i> 2017. Multi-Channel video 5:00.</td></tr>
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<tr><td class="tr-caption" style="font-size: 12.8px;">Alex Jacobs-Blum, Kiera Boult, <i>A Testimony of the Unrequited,</i> 2017. Multi-Channel video 5:00.<br />
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-78246865172147977662017-11-27T21:50:00.001-08:002017-11-28T09:09:32.666-08:00So You Think You Can Truth<div dir="ltr" style="text-align: left;" trbidi="on">
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<i>So You Think You Can Truth</i>, 2016</h2>
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The performance-lecture offers the audience a step by step of a lecture on operating your own Truth Booth, facilitating you own Gentfircation acceptance therapy and how to look for early signs of neoliberalism. This performance operates as an institutional critique presenting the field research collected from the Truth Booth performances. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBk54RO0bDnSzeEtJXHYOfriyRC0HLw0ja16i7i3HSYaEEdaFSZY9z5PD2vwTimFvc4Z5HF1J6IEv2tFBZLhKP8_jtpHZ6zWX68Ucui9ACNSZLHOFbCNGGcDrLd7LD9rHNJ39xFcxEdU/s1600/So+you+think+you+can+truth+2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBk54RO0bDnSzeEtJXHYOfriyRC0HLw0ja16i7i3HSYaEEdaFSZY9z5PD2vwTimFvc4Z5HF1J6IEv2tFBZLhKP8_jtpHZ6zWX68Ucui9ACNSZLHOFbCNGGcDrLd7LD9rHNJ39xFcxEdU/s320/So+you+think+you+can+truth+2016.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>So You Think You Can Truth, </i>2016. Art Gallery of Ontario Performance. </td></tr>
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<tr><td class="tr-caption" style="font-size: 12.8px;"><i>So You Think You Can Truth, </i>2017. CANADA LAND: Imposter Podcast Performance. </td></tr>
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PowerPoint Slide Detail "<i>Go Solo", </i>2017</td></tr>
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<tr><td class="tr-caption" style="font-size: 12.8px;"><i>So You Think You Can Truth, </i>2017. CANADA LAND: Imposter Podcast Performance. </td></tr>
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<span style="font-size: 12.8px;">PowerPoint Slide Detail "Ask Not, Richard Florida</span><i style="font-size: 12.8px;">", </i><span style="font-size: 12.8px;">2017</span></td></tr>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-68300660331258926562017-11-27T21:50:00.000-08:002017-11-28T20:07:17.119-08:00The Truth Booth: Art is the New Steal: Appropriating the Hamilton Landscape, 2016<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s1600/Untitled+copy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="499" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s200/Untitled+copy.png" width="117" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s1600/Untitled+copy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="499" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s200/Untitled+copy.png" width="117" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s1600/Untitled+copy.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="844" data-original-width="499" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9kGvsQSUbIq7Rb4LFyzRghznZoeunOFryQLqD0DOH4kHsDBq1hSdPh3LDQV9Q7xvl_C74BlbxwGGpcbzk0y_JJdv_mHcC9G1B7rDS22qG44ATulkfxutxki0xAU3LSLfTEQo5tg_GV0/s200/Untitled+copy.png" width="117" /></a></div>
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The second iteration of the Truth Booth offers Hamilton participants Gentrification Acceptance Therapy and Toronto participants The Myth of the Creative Class Grief Therapy. Challenging topics of Neoliberalism, the creative class, gentrification and the role artist play in nurturing these factors. The facilitators within the booth are called Truthrz, playing on conspiracy Theory culture the Truth Booth uses brochures to and canvassers to educate the public.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPbHyDxWqCqQEm8NHNHSw4vE8JJ8fOwdkyManKIqnmNInxnMnLT3PkmwjsP8qTPlopF4Tb55uOo5GNsKuzEdsvLZT-FPfaS_O5XdvhqQCTtzS9ZODXjK41n1HwQ_z5fNQ1DQcPaOVNW3M/s1600/CopyofScienceBrochureTemplate+front.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPbHyDxWqCqQEm8NHNHSw4vE8JJ8fOwdkyManKIqnmNInxnMnLT3PkmwjsP8qTPlopF4Tb55uOo5GNsKuzEdsvLZT-FPfaS_O5XdvhqQCTtzS9ZODXjK41n1HwQ_z5fNQ1DQcPaOVNW3M/s320/CopyofScienceBrochureTemplate+front.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Truth Both: Art is the New Steal, 2016. Hamilton Art Crawl.<br />
Performance Brochure Front </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJBjzSw3E9D27uAhnaMJ5vxloXiy3ZCoT8ughuzSdTaSHTdPiQ1wugJXTnKVptJgmTsSnD-D7JIk83NeuaBFoUdCdw_240qASxrB3Q8-bCEnx2yJn-bFYzBQjfIw-XDuYAk0f23KEEu7g/s1600/CopyofScienceBrochureTemplate+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJBjzSw3E9D27uAhnaMJ5vxloXiy3ZCoT8ughuzSdTaSHTdPiQ1wugJXTnKVptJgmTsSnD-D7JIk83NeuaBFoUdCdw_240qASxrB3Q8-bCEnx2yJn-bFYzBQjfIw-XDuYAk0f23KEEu7g/s320/CopyofScienceBrochureTemplate+2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Truth Both: Art is the New Steal, 2016. Hamilton Art Crawl.<br />
<span style="font-size: 12.8px;">Performance Brochure Back</span></td></tr>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-51391074810442486382017-11-26T22:55:00.003-08:002017-11-27T21:51:26.201-08:00The Truth Booth: That's a Read<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><i>The Truth Booth: That's a Read</i>, 2013 </b></h2>
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The first iteration of the Truth Booth manifests as a physic-therapy booth offering participants Celebrity Tarot card readings. Open the public the Truth Booth aims to engage the larger the public in conversations of Art, Community building and of course Pop Culture. With the intention to connect, share and collaborate The Truth Booth challenges Artists role in community building and offers the healing practices of the Stars.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRaUU_HvIht2xQ2-utnep1pEP7W24-hUU-SFi5sTpe8aUfSadIcYjC4u1_qQzqta3GOAyi0J93wWlNaKr55Vy4sEmxNw-2HLQpsgLiTK-eMvhR9OOnzAao31E7j9vOhMfUg8q5GCAbm0/s1600/Truthboothread_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRaUU_HvIht2xQ2-utnep1pEP7W24-hUU-SFi5sTpe8aUfSadIcYjC4u1_qQzqta3GOAyi0J93wWlNaKr55Vy4sEmxNw-2HLQpsgLiTK-eMvhR9OOnzAao31E7j9vOhMfUg8q5GCAbm0/s320/Truthboothread_2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Truth Booth, 2014 OCAD University Student Gallery</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOF24KJJHlqYn5Cl8z6XRZlh8OvPDQQ0e2x90IEw-QH4Jf_ZdrhmJuz9-kAhrzrJs8-1v0mKGvLGfB-2-kQqhrW0ip3O3OiKsiHi-5y0BqdiMXF6y84uVlISGHomk285WpmK359_OMHIk/s1600/tumblr_nd3plne4EK1qgj199o3_1280.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="956" data-original-width="1280" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOF24KJJHlqYn5Cl8z6XRZlh8OvPDQQ0e2x90IEw-QH4Jf_ZdrhmJuz9-kAhrzrJs8-1v0mKGvLGfB-2-kQqhrW0ip3O3OiKsiHi-5y0BqdiMXF6y84uVlISGHomk285WpmK359_OMHIk/s320/tumblr_nd3plne4EK1qgj199o3_1280.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Truth Booth, 2014 OCAD University Student Gallery.<br />
Tarot Cards<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPQMYB2emp1SKF8oJFLEmQf6cqweN039xpZL86DqA7vtFBco8rtNXD5WjyP6H1hLnyFJGFRxlBMQaODOmwwkSM-pS9B0yNW4o_KDeHSb-aN8txyucmY0HtsggGBHISLzx8GfTxURFRxWo/s1600/Kiera-Free-Read.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="792" data-original-width="612" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPQMYB2emp1SKF8oJFLEmQf6cqweN039xpZL86DqA7vtFBco8rtNXD5WjyP6H1hLnyFJGFRxlBMQaODOmwwkSM-pS9B0yNW4o_KDeHSb-aN8txyucmY0HtsggGBHISLzx8GfTxURFRxWo/s320/Kiera-Free-Read.jpg" width="247" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Truth Booth, 2014 OCAD University Student Gallery.<br />
Promotional image</td></tr>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.comtag:blogger.com,1999:blog-1624263195015748869.post-33600807091682428452017-09-08T08:49:00.000-07:002017-11-28T09:06:16.216-08:00Canada's Dry<div dir="ltr" style="text-align: left;" trbidi="on">
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Canada's Dry, 2017</h2>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMIddPD17ahh-c5JOONtW9wnlJg3_tuP2eas2pzzdRstRHwn3qb7SXIJ1xm11o3S0FEj6-X2ujXbw_i4fZgXsKBMiXwKPSq5iapFnkS998qrm0WjSMTYfnLarE2k3IIRmfOtg9ZL8uzxk/s1600/Canada%2527sdry_.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="590" data-original-width="588" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMIddPD17ahh-c5JOONtW9wnlJg3_tuP2eas2pzzdRstRHwn3qb7SXIJ1xm11o3S0FEj6-X2ujXbw_i4fZgXsKBMiXwKPSq5iapFnkS998qrm0WjSMTYfnLarE2k3IIRmfOtg9ZL8uzxk/s200/Canada%2527sdry_.jpg" width="198" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Canada's Dry,</i> 2017, Digital image. </td></tr>
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Canada’s Dry is a satirical campaign which reappropriates tactics used by the Alt-Right to</div>
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indoctrinate Canadians into adopting white nationalist views. The project reconnects the</div>
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Othered Body to “Canadian Values” by documenting my lived biracial experience in Hamilton’s</div>
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suburbs. Canada’s Dry displays the suburbs as an idealized utopia where “Canadian Values”</div>
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are exemplified. The current connection between “Canadian Values” and whiteness are</div>
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challenged through a performance inspired by the aesthetics of Bravo TV’s The Real</div>
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Housewives.</div>
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Sara Ahmed’s work in Affective Economies, specifically around the circulation of fear and the</div>
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passing by of a threat, inform the project. Canada’s Dry highlights the white nationalist fear of</div>
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letting the Other in and the threat of replacement by the Other. Canada’s Dry performs this very</div>
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fear.</div>
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<tr><td style="text-align: center;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioiWMNRxOSHop2lgfkdjzkZdZU_IiZu7Sc2c_k_SszQMyS1OaesXTEOEEltCTNgt5pyqUmBKg9zK1eSFjLhEgSTztpGO8AMwbnactlHtkwBkYFBR46HSbI5l1B_3HVYcc7-tJSf5hk3mM/s320/Canada%2527sdry.jpg" style="margin-left: auto; margin-right: auto;" width="240" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Canada's Dry</i>, 2017 Performance, and installation at Trinty Square Video</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioiWMNRxOSHop2lgfkdjzkZdZU_IiZu7Sc2c_k_SszQMyS1OaesXTEOEEltCTNgt5pyqUmBKg9zK1eSFjLhEgSTztpGO8AMwbnactlHtkwBkYFBR46HSbI5l1B_3HVYcc7-tJSf5hk3mM/s1600/Canada%2527sdry.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvFRObQDyTRUQkVrOR0ImL_oVPmFjSvAJxWuqM8joo5EzUqTr46LE0frZ7HmWA_-DQol8jajzgvOvdLwKPgIfm0j_yZSQtx7wUHLW-Eaie3tZiK9B2p-HZLRaSspW6B3ecPbtUngoptRk/s1600/Canadadry_VR.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="960" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvFRObQDyTRUQkVrOR0ImL_oVPmFjSvAJxWuqM8joo5EzUqTr46LE0frZ7HmWA_-DQol8jajzgvOvdLwKPgIfm0j_yZSQtx7wUHLW-Eaie3tZiK9B2p-HZLRaSspW6B3ecPbtUngoptRk/s320/Canadadry_VR.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Canada's Dry</i>, 2017 Virtual Reality collage</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW0_t9EYuBGNc0AJUAeX0cAgaAogu7iHMR4SNDiyf6oea6fRghJSbajmhgLRrf1Gs4X6cQ8-no_sSmSuYZ7mMvquR1S2AWtb_0supr0dscYfwqw9KrYj2z2OGyq9HVo37jO4Zh4xvKMkc/s1600/Canada%2527sdry01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW0_t9EYuBGNc0AJUAeX0cAgaAogu7iHMR4SNDiyf6oea6fRghJSbajmhgLRrf1Gs4X6cQ8-no_sSmSuYZ7mMvquR1S2AWtb_0supr0dscYfwqw9KrYj2z2OGyq9HVo37jO4Zh4xvKMkc/s320/Canada%2527sdry01.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i style="font-size: 12.8px;">Canada's Dry</i><span style="font-size: 12.8px;">, 2017 Performance, and installation at Trinty Square Video</span></td></tr>
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Kiera Boulthttp://www.blogger.com/profile/07463296184278775101noreply@blogger.com